The world is supposed to be a happy and safe place for children. But that’s not the case anymore with the Illuminati magician-minions’ systematic deconstruction of childhood wonder and innocence and the calculated exposure of children to rituals blending sexual and occult themes.
But the New World Order has gotten as far as it has in large measure because these rituals are timed in accordance with astrology, which is part of the Illuminat’s war chest. Latest case in point: Katy Perry’s ritual-performance at the 2014 Grammy Awards on the eve of the Mars-Eris opposition at the Eris Point, the Illuminati’s preferred degree in the zodiac for furthering their control agenda. Under the surface, this ritual is preparation for war.
The unavoidable consequence (or in Illuminati-speak, the “revelation of the method”) of enacting mass occult rituals, which is exactly what the Grammy Awards and all other mass spectacles like Opening Ceremonies at the Olympics are, is that it leaves a signature, a trail, a calling card.
For a “forensic” astrologer like me and the only astrologer to begin researching the planet Eris at the observatory where it was discovered, it is easy to see when the Illuminati will make geopolitical moves (usually through false flag events). Their “secret” is not so secret anymore, however.
Universal principles of electromagnetics and harmonics which are not fully understood by mainstream science (but accurately understood by the Illuminati) indicate optimum energetic times to imprint reality and influence events.
In the zodiac, when a planet makes an aspect to 21 degrees of Aries, the Eris Point or degree in the sky where Eris was discovered, the Illuminati enact a ritual that is tied to war. This is because archetypally Eris is known as the Queen of the Battlefield, Queen of the Underworld, and the Goddess of Chaos and Strife.
But the “face” of this goddess is split in two like no other. There is a second side of the Eris archetype—a nurturing wife and mother who leads her children through the cycles of birth and growth, upholding the values of true love and freedom, righteously defending against slavery and tyranny. Her themes are intertwined with protecting those on the margins of society. (New mom Beyonce held this role in the Grammy Awards ritual ceremony.)
Historically, Eris has been known by many names. She is the Sumerian Inanna/Ereshkigal, the Egyptian Isis, the Babylonian Lilith, and the Disney characters of Snow White/the Evil Queen and Sleeping Beauty/Maleficent (the latter also featured during the Grammy Awards). Eris is a shrieking banshee on the battlefield and the protectrix of elite troops. She is the wrinkled witch stirring a cauldron and a seductive underworld goddess mixing elixirs of alchemy.
In astrology, when planets make conjunctions and oppositions to the Eris Point, the degree in the sky where the planet Eris was discovered, powerful archetypal energies engage. This provides a “magical” opportunity to imprint reality.
The nature of the opportunity is determined by that planet’s own archetypal themes in association with Eris’ themes. The Illuminati believe that “paying homage” to Eris with a ceremony when the planet Eris and/or the Eris Point are astrologically activated courts favor, so they perform rituals when these astrological aspects coalesce. “Favor” in this sense describes the potential effectiveness of the goal—the spell.
Rituals and ceremonies are more powerful when masses of people participate, thus mass media is the perfect outlet for such activities. Blue-eyed and dark-haired Katy Perry, Eris du jour, fits the Illuminati’s preferred stereotype of Eris.
Katy Perry is an amalgam of fairy princess and dominatrix wrapped up in a package of charm. Her performance motif could have been anything, but a witch in the grove is hardly random. The ceremony at the Grammy Awards occurred on the eve of the exact opposition of Mars and Eris, very close to the Eris Point.
Mars is the God of War and he also happens to be Eris’ brother. When Mars and Eris are in aspect, anger, aggression, conflict, and war are heightened. When they are in aspect close to the degree where the planet Eris was first discovered, the influence is enormously magnified.
However, the real cruelty of the ceremony is that Katy Perry retains an ember of childlike wonderment for life; therefore, children are naturally drawn to her. She is most popular with (worshiped by) very young children.
She’s the voice of Smurfette, after all! Her performance was scheduled early in the show when younger children would still be awake. The Illuminati believe that involving children in their rituals empowers the ritual.
Enough whistleblower and court testimony has surfaced regarding ritualized child sexual abuse for us to know that secret rituals with children are a reality. Most likely a real ritual involving children was occurring while those watching the “dramatic” rendition of the ritual, Katy Perry’s performance, unwittingly offered passive participation.
There is a term for the insertion of ideas and intentions into people’s minds at certain times for a desired effect that grows over time and is reinforced at future opportune times: mind control. These broadcast “performances” are ceremonial mass mind control via the entertainment industry using a calendar of astrology for timing.
(Katy Perry should be mindful that the Illuminati wholeheartedly believe in the misogynistic notion that “all goddesses must fall” and thus will engineer or facilitate a future fall from grace. Then, she will either remake herself like the phoenix rising from the ashes or be annihilated in the flames. It’s a win-win for the Illuminati because “goddesses” are powerful regardless of whether they are fallen or risen. Most likely Katy Perry is peripherally aware, as are most artists in the music industry, if not the entertainment industry as a whole, that there is a cabal of occult-oriented businessman-bankers who are truly in control of who becomes successful and what type of art shapes the world. Jay-Z is rather open about it; his commitment to perpetuating the symbolism is plain. Madonna, a previous ritual pawn who is occasionally trounced back out, is now deeply immersed in the Illuminati’s perversion of the Mysteries. It is perversion because their view is based on foundations of dominance and control of others—principles contrary to life.)
Freedom of expression stands, but it is our job to be wise to what is being expressed. Katy Perry’s performance-ritual is a statement that only those who are schooled in esoteric wisdom would fully understand.
In Part 2, we will look at just what that statement is and why it indicates that the New Moon in Aries on March 30, 2014, the astrological New Year, opens the year when the Illuminati make their final move and why the energy that they try so desperately to control will ultimately be their downfall.
On that day, Mars comes back to Eris for a repeat performance. This time around, however, the ritual will not be shrouded behind a flimsy stage spectacle. It will play out in the theater of the world.
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